Texas-based Liz Potter’s photography is as much about the journey as it is about the destination. “My print sessions can last anywhere from four hours to eight and sometimes the only reason I stop is when my print washer is full, and I have to pause long enough to realize I’m tired. Printing, to me, is another layer of expressing an image.”

Brooklyn-based photographer Josh Lee uses his black and white negatives as a springboard for his manipulated images. By introducing bleach, food coloring, and paint directly to his negatives, he creates surreal images which illustrate the hidden psychological realities of ourselves and the world around us.

Italian photographer Felicita Russo’s instant film based creations of extraterrestrial worlds and breathtaking future landscapes bridge the gap between traditional painting, contemporary art, and science fiction. Through her work, she pushes the boundaries of contemporary light painting to new frontiers.

Victoria Kosel quite literally destroys her photographs, only to create them anew. Her sliced and diced prints are reborn into fragmented scenes that force the brain to fill in the gaps that challenge the ideas of traditional landscape photography.

British photographer Ian Hill explores the rugged Cumbrian countryside investigating the psychological connection we find in and with the landscape. Intertwining words and images, in zines or on the web, he creates modern mythologies which explore the perpetual relationship between man and nature.

La Fille Renne––non-binary photographer and co-director of feminist media, Polysème Magazine––gives insight to their series, Reclaiming Our Bodies: Systemic, Gynecological, and Obstetric Violence Towards Our Sexes in the Framework of Health, a project that brings awareness of gynecological and obstetrical violence.

Jamie Swick’s environmental portraits of the Pacific Northwest produce a distinct stillness that is undeniable. Her picturesque landscapes suggest a new era of environmentalism that isn’t fought by tying yourself to a tree, but by walking among them.

Luca Tombolini’s series Vistas artistically explores the scientific idea of Space, Time, and their relativity by asking viewers to consider the perception of their via place in the universe via the combination of long and multiple exposure landscapes and cameraless microscapes made of color drops in solvents.

Liz Albert’s series, Family Fictions, take us on a journey back in time to explore family and social dynamics in the 50s and 60s through photographic slides that she has found, purchased, and combined into diptychs.

Nettie Edwards uses the ephemeral photographic processes of anthotype and chlorophyll printing to create personal meditations on the transitory nature of existence. By embracing processes destined to degrade she confronts the ideas of loss, grief, and mortality.

Vincent Ricardel’s series “The Way Back” was created with a Hasselblad 500 CM camera and 19+-year-old Kodak Black and White Verichrome Pan film. His series masterfully challenges the notion that there are no frontiers left in the American West.

What is chromoskedasic painting, you ask? Photographer, Jan Cook, has the explanation of this lesser-known process and the intention behind its use in her incredible body of work, “Fugue: A Dreamlike State.” A combination of printing and painting techniques like this is sure to lure you into this deeply mysterious work.

Flashback to the Spring of 2020 — a time of the unknown, and David Scheinbaum’s latest work was born. A one-year cameraless exploration of the ENSŌ – a journey, traveling back to the essence of photography, light, and chemistry. Explore more with our article on this fascinating photographer and his latest works.

Inspired by 1960s B movies and counterculture, the works of Ellen Rogers, and the surreal landscape of the seaside Welsh town where she lives and works, Clare Marie Bailey’s Polaroid self-portraits blur the lines between fantasy and reality.

Clément Marion’s series “Phoenix” features wet plate collodion photographs of severe burn victims that act as both hybrid artistic therapy for his models but also a commentary on important social constructs that influence their mental and emotional healing.

Suzanne Révy's latest series, "A Murmur in the Trees," imparts a sense of solitude that has been both endured and embraced through each season of this past year during the pandemic. These triptychs lure you in with their subtle details and shifting light.

Alternative process photographer, printmaker, and researcher Ed Carr has created the first-ever music video made from over 5000 hand-printed cyanotypes for Tycho Jones and Globe Town Records. Learn all about his unique creation now!

Diane Meyer’s “Berlin” investigates the former Berlin Wall using a combination of analog, digital, and mixed media processes that deceives the viewer to see pixelated sections that enhance a connection between forgetting and file corruption.

Gracie Baer’s series “Corporeal Worth” draws parallels between our relationship with the natural world and society by contemplating the commonality between animals and people, in both life and in death.

Kyle Lang’s new series Manifest Content is a darkroom photography project that delves into themes of time, memory, dreams, subconsciousness, and the environment we find ourselves in, both while awake and lucid dreaming.