CLOSED | Call for Entry: Online Group Exhibition - "Land(e)scape” October 2022
© Joni Sternbach
We are excited to announce that our October 2022 online group exhibition, “Land(e)scape,” is being curated by American artist, photographer and filmmaker, Joni Sternbach! The deadline for submissions is September 30th, 2022. To enter, all you need to do is read and respond to the following prompt with your wet plate photographs. The best of these images will be showcased in an online show, beginning October 17th, 2022. Good luck!
Prompt: Wet plate photography over the years has typically focused on both portraiture and landscape. For this exhibition, and during this time of global upheaval and national political concerns, my thoughts lead me to how photography can play a role in creating a space for both imagination and escape. Show me work that is tied to the idea of both landscape and escape, made with the wet collodion process.
Deadline for Submissions is September 30th, 2022
About the Curator
Joni Sternbach is an American artist, photographer and filmmaker. Over the course of a career spanning many decades, her portrait-based work explores a variety of themes, while simultaneously experimenting with a variety of historic photographic processes. She made her curatorial debut in March at Penumbra Foundation with the exhibition, “Reimaging Likeness and Landscape,” featuring six contemporary women artists.
She is best known for her wet plate collodion tintype portraits of surfers and surfboards, made on beaches around the globe.
Sternbach’s work has been exhibited extensively throughout the United States and abroad and is held in several major collections including the High Museum, LACMA, JP Morgan Chase, The Nelson-Atkins Museum, Museum of Photographic Arts, Maison Européenne de la Photographie in Paris, France, St Louis Art Museum and Museum of Fine Arts, Houston. She is the recipient of many grants including NYFA and CAPS and the 2011 Clarence John Laughlin and 2010 Santo Foundation awards.
Submission Guidelines:
Image Specifications:
1) Only .jpg files will be accepted.
2) Images must be 1500px on the shortest side at 72dpi.
3) No photo-shopped borders or watermarks.
4) Only one image may be submitted.
5) Image must be named in the following format: “FirstNameLastName1.jpg”, etc.
Email Specifications:
1) The subject line of your email should state: "Submission: Land(e)scape”
2) Please ATTACH your images to the email NOT INSIDE the email. Do not embed them. Do not attach a google drive or dropbox link.
3) Include your information in the format requested (see below).
4) Format Request: “Title” by Your Name | Camera + Film, Process - Your URL
Send your submission to submissions@analogforevermagazine.com by September 30th, 2022.
Note: Due to the large number of submissions we receive, you may not receive a response. Though we try our best to respond to everyone, we do not guarantee a response. Thank you for understanding.
Copyright Information:
By submitting photos for publication in Analog Forever Magazine you are stipulating to us that you own copyright to these photographs or have permission from the copyright holder to submit these photographs. You are granting Analog Forever Magazine a non-exclusive license to use the photograph in its submitted form, subject to re-sizing to fit the magazine format, for publication on the Analog Forever Magazine website for as long as the website exists. You also grant Analog Forever Magazine permission to use these photographs on social media accounts connected to Analog Forever Magazine including but not limited to Facebook, Twitter, and Instagram. Should you, for any reason, wish your photographs to be removed from the website, we will make every effort to do so. However, please note also that third parties such as educational institutions, search engines or individuals may download, save, store or archive this (or any other) website with or without our knowledge. Analog Forever Magazine will have no control over such downloading and subsequent use and therefore cannot accept responsibility for any such use.
