Learn to create beautiful cyanotype art prints with deeper blues and a longer tonal range using the modern cyanotype process in this hands-on workshop that was recently named one of 2016’s most inspiring photo workshops by Photoshelter. But—cyanotype process prints can be so much more than basic blue! We will experiment with different printing methods of toning and bleaching, techniques which allow you to alter the color and mood of your final print.
The cyanotype process was introduced in the 19th century. Unlike the silver process used in traditional black and white photography, cyanotype photographs are made using a cyanotype formula consisting of a solution of iron compounds that react to UV light. Images can be taken with a camera or made by placing objects directly on the cyanotype paper.
The relative simplicity of cyanotype printing methods makes it a great introduction to those new to alternative process printing. However, the beautiful tonality and artistic flexibility also recommends this photo printing process for serious fine art practitioners.
Dates: May 17th-19th, 2019
Location: The Image Flow
Skill Level: Beginner to Intermediate
About Max Kellenberger
Max Kellenberger, a native of Switzerland, has been exhibiting work in the United States and Europe since 1972. His recent photography exhibitions include A One Man Show at Gallery 16 in San Francisco, Blues at Smith Anderson North in San Rafael, Quietude at Corden|Potts, One: Unique Photographs at Klompching in Brooklyn, NY, Four Photographers at TUTTIARTlucerne in Lucerne, Switzerland, Le Scarpe at Corden|Potts in San Francisco, and most recent Entropy, at Rick Wester Fine Art in New York. His photographs are in numerous private collections, such as those of Graham Nash and Joaquim Paiva. He has been published internationally in prestigious photography magazines and books the most recent one being “The Polaroid Project: At the Intersection of Art and Technology” edited by William A. Ewing. Max Kellenberger resides in San Francisco, CA.
About Niniane Kelley:
Niniane Kelley is a fine art photographer living and working in San Francisco and Lake County, California. A native of the Bay Area, she is a San Jose State University graduate, earning a BFA in Photography in 2008.
Drawn to photography for both the immediacy of the image making process and the intrinsic alchemy of the darkroom ritual, she crafts the majority of her imagery using traditional 19th-century processes which give each piece its own unique character. But never one to cease experimentation, she is also simultaneously developing new complimentary bodies of work using Polaroid and plastic cameras to bring a fresh perspective to both her figure and landscape work.
In addition to producing photographic images, Kelley is also extensively involved in alternative processes education and research. After many years in the fine art gallery world, she most recently worked as a photographer and manager at San Francisco’s tintype portrait studio, Photobooth. She is currently a writer and curator for Analog Forever Magazine.
For more information visit the workshop page at The Image Flow!